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Especially in the case of Lennons songs, there is an appealing rock style to the material here, even if the lyrics limit the records appeal.
Kaki King Until We Felt Red Rar Software Zip Full Scans IncludedKaki King Until We Felt Red Rar Software Zip PS3 Rip SACDJohn Lennon Japanese SHM-SACD Reissue Series 2014 (7x SACD, 1970-1980) PS3 Rip SACD ISO DSD64 2.0 1-bit2.8224 MHz Full Scans included 13,8 GB John Lennon Plastic Ono Band (1970) Japanese Limited SHM-SACD 2014 PS3 Rip SACD ISO DSD64 2.0 1-bit2.8224 MHz 39:36 minutes Scans included 1,6 GB The clich about singersongwriters is that they sing confessionals direct from their heart, but John Lennon exploded the myth behind that clich, as well as many others, on his first official solo record, John LennonPlastic Ono Band.
Inspired by his primal scream therapy with Dr. Arthur Janov, Lennon created a harrowing set of unflinchingly personal songs, laying out all of his fears and angers for everyone to hear. It was a revolutionary record never before had a record been so explicitly introspective, and very few records made absolutely no concession to the audiences expectations, daring the listeners to meet all the artists demands. Lennons songs range from tough rock rollers to piano-based ballads and spare folk songs, and his melodies remain strong and memorable, which actually intensifies the pain and rage of the songs. Lennon presents everything on the surface, and the song titles Mother, I Found Out, Working Class Hero, Isolation, God, My Mummys Dead illustrate what each song is about, and charts his loss of faith in his parents, country, friends, fans, and idols. Its an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennons catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John LennonPlastic Ono Band. Tracklist: 01. Mother 02. Hold On 03. I Found Out 04. Working Class Hero 05. Isolation 06. Remember 07. Love 08. Well Well Well 09. Look At Me 10. God 11. My Mummys Dead DSD flat transferred from 2010 Digital Remaster. John Lennon Imagine (1971) Japanese Limited SHM-SACD 2014 PS3 Rip SACD ISO DSD64 2.0 1-bit2.8224 MHz 39:46 minutes Scans included 1,61 GB After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor. Underneath the sweet strings of Jealous Guy lies a broken and scared man, the jaunty Crippled Inside is a mocking assault at an acquaintance, and Imagine is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal. ![]() If Imagine doesnt have the thematic sweep of Plastic Ono Band, it is nevertheless a remarkable collection of songs that Lennon would never be able to better again. Oh My Love 08. How Do You Sleep 09. How 10. Oh Yoko DSD flat transferred from 2010 Digital Remaster. John Lennon Sometime In New York City (1972) Japanese Limited SHM-SACD 2014 PS3 Rip SACD ISO DSD64 2.0 1-bit2.8224 MHz 91:17 minutes Scans included 3,68 GB The first album co-billed to John Lennon and Yoko Ono to actually contain recognizable pop music, Some Time in New York City found the Lennons in an explicitly political phase. This was understandable at the time, Lennon was neck-deep in his struggle to remain in the United States, a conflict rooted in his antiwar and antiestablishment politics and the enmity of the Nixon administration. Kaki King Until We Felt Red Rar Software Zip Free To DelveAt the same time, having written, recorded, and released the music on the Plastic Ono Band and Imagine albums and musically exorcising many of the emotional demons associated with aspects of his past, and working out a musical and publishing divorce from Paul McCartney he was now reveling in the freedom of being an ex-Beatle and exploring music and other subjects that hed never felt fully free to delve into during the first decade of his career. This album was actually a long time in coming, as there had been hints of Lennon moving in this direction for years hed long looked upon Bob Dylan with unabashed envy, emulating his sound at moments (Youve Got to Hide Your Love Away) and striving for some of the same mix of edginess and depth, once the group got beyond its original two-guitars-bass-drums and love songs sound; Revolution (and Revolution No. Give Peace a Chance and Power to the People saw him trying to embrace outside subjects in his work, and Some Time in New York City carried his writing a step further in this direction, introducing John Lennon, protest singer true, he was ten years late, in terms of the musical genre (even Joan Baez and Judy Collins were doing pop-style records by then), but it was a logical development given the time in Lennons life and the strife-filled era with which it coincided. Seeking his own voice in all of its permutations, and living amid the bracing pace of New York City (which made London, much less Liverpool, look like a cultural and political backwater), Lennon entered a phase similar to Dylans 1963-1964 period, represented by songs such as The Ballad of Hollis Brown, The Death of Emmett Till, and Talking John Birch Society Blues. Except that where Dylan had toned down that side of his work, never officially releasing his versions of two of those songs (the two most confrontational, in fact), Lennon didnt hold back, delivering his topical songs with both barrels smoking, expounding on such topical subjects as radical feminism, the Attica prison riot, the treatment of activists John Sinclair and Angela Davis, and the rising strife in Northern Ireland (which was on its way to becoming for the British the same kind of military and political quagmire that Vietnam was for America). Lennon had some advantages in getting heard, as an ex-Beatle, not an up-and-coming talent as Dylan had been a decade earlier, and if the subject matter of his new songs puzzled or alienated some fans, he also still had a huge amount of rock roll street cred, which was only enhanced at the time by his having made Nixons enemies list; at the time, there were a lot of people to whom that mattered more than his past as a Beatle at the April 24 antiwar rally in New York in 1971, where he appeared with Yoko Ono and the Elephants Memory Band, he showed himself to be among the few musicians who could get a quarter of a million or more people singing and chanting spontaneously, in unison. And Some Time in New York City was a logical progression from that event.
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